{"id":9978,"date":"2021-02-17T16:10:36","date_gmt":"2021-02-17T16:10:36","guid":{"rendered":"http:\/\/www.museudemertola.pt\/units\/weaving-workshop\/"},"modified":"2025-08-21T15:13:27","modified_gmt":"2025-08-21T15:13:27","slug":"weaving-workshop","status":"publish","type":"page","link":"https:\/\/www.museudemertola.pt\/en\/units\/weaving-workshop\/","title":{"rendered":"Weaving Workshop"},"content":{"rendered":"\t\t
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\n\t\t\tMUSEUM UNITS OF<\/span>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Weaving Workshop<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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M\u00c9RTOLA MUSEUM <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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One of the oldest crafts in the municipality of M\u00e9rtola is the weaving of woolen blankets. Their patterns date back to ancient times and we can make comparisons with the decorative motifs found in ceramic objects from the Islamic period (8th century-1st half of the 13th century) unearthed from houses found in M\u00e9rtola’s Alc\u00e1\u00e7ova (Alcazaba).<\/p>\n

Here, different types of weaving-related objects were also found, such as spindles, ‘cossoiros’<\/span>, distaffs, loom weights and needles, thimbles, and scissors. In the Weaving Workshop, where we keep the objects and show the work of the weavers, our goal is to preserve this age-old know-how, keeping the entire cycle of the wool alive, using high-quality raw material, traditional production techniques, and old decorative themes.<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Museum Units of<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\tWeaving Workshop<\/span>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Opening date<\/span>: 2000;
\nchange of facilities in 2005;
\nrenovated in 2014<\/span><\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The weavers<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\tBecause work has a face, at the M\u00e9rtola Weaving Workshop (‘Oficina de Tecelagem de \u00c9vora’), nowadays the sound of the loom is the result of the skilful and knowledgeable hands of weavers Helena Rosa and F\u00e1tima Mestre.\nIn the past, other weavers like the great Teacher Ms. Ad\u00e9lia, Helena Costa or Guida Ros\u00e1rio, just to mention a few, worked here…\nWe also cannot forget the essential carding and spinning work that is still done by Ms. Vitorina.\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\"Ade\u0301lia-e-Helena\"<\/figure><\/div>
\"Ade\u0301lia-Santos\"<\/figure><\/div>
\"Adelia,-Manuela-e-Helena\"<\/figure><\/div>
\"Fa\u0301tima-Mestre\"<\/figure><\/div>
\"Helena-Costa_1\"<\/figure><\/div>
\"Helena-Costa_2\"<\/figure><\/div>
\"Helena-e-Fa\u0301tima_1\"<\/figure><\/div>
\"Helena-e-Fatima_3\"<\/figure><\/div>
\"Helena-e-Fatima_2\"<\/figure><\/div>
\"Vitorina\"<\/figure><\/div>
\"Helena-Rosa\"<\/figure><\/div>
\"Helena-e-Fatima_4\"<\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tArtistic residency by Margarida Lopes Pereira \u2013 HYPERTEXTILE Project<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The HYPERTEXTILE Project is a cycle of training, creation and research residencies in textile art aimed at visual artists and designers. Developed by the Cort\u00e9x Frontal Association, it is the result of the natural evolution of the Wireless project, carried out in 2022 and 2023, with the support of the General Directorate of Arts, the University of \u00c9vora, the Arraiolos City Council and the Magdalena Abanakowich University of Poznan, Poland. . It received support from the Portuguese Contemporary Art Network (RPAC) and intends to continue the work already started and extend it to Portuguese territory, at this stage to M\u00e9rtola and Guimar\u00e3es, creating strong links for the creation of a Contemporary Textile Art Network that promote mobility, creation and research. 40 artists and designers will participate in the project, who will hold artistic residencies during 2024 and 2025 and, in 2026, the selected works will be exhibited in a traveling exhibition.<\/p>

In this context, the M\u00e9rtola Weaving Workshop welcomed designer Margarida Lopes Pereira between October 17th and 31st. His work focuses on the domestic context \u2013 scale, everyday objects and materials, as well as the exploration of artisanal techniques, applied to new contexts. He completed his residency at the M\u00e9rtola Weaving Workshop, where he contacted weavers and carried out experimental work on traditional looms, using techniques, raw materials and decorative patterns in a personal and creative approach.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tM\u00f4nica Correia Artistic Residency<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

During the month of July, designer M\u00f3nica Correia was in residence at Oficina de Tecelagem. Of Brazilian nationality, she is an Associate Professor and responsible for the 3D Design Program at the School of Art and Art History at the University of Iowa, in the United States of America. She was awarded the prestigious \u201cICFF Editor\u2019s Award for Best School\u201d, in New York, in 2015 and received, with her students, the \u201cSOFA CONNECT\u201d Award, which distinguishes the best design environment, in Chicago, in the years 2014 and 2015.<\/p>

Before moving to the USA, she was a Professor at the School of Architecture and Interior Design at the Federal University of Rio de Janeiro, in Brazil. Participated in several design exhibitions and events, including: \u201c100% Design: Emerging Brands\u201d and \u201cDesignJunction\u201d in London (United Kingdom); \u201cEDIT DesignJunction\u201d, in Milan (Italy); \u201cInternational Contemporary Furniture Fair\u201d, in New York (USA); and \u201cBIO.23: Biennal of Design Show\u201d, in Ljubljana (Slovenia).<\/p>

His interest in traditional wool weaving, especially the process developed in M\u00e9rtola, is related to his professional trajectory and personal interest in the traditional know-how of South America and Portugal. His stay at the Weaving Workshop aimed to understand the historical context and evolution of this traditional wool transformation technique, the typology of products and the decorative patterns. He took an active part in the work of the Workshop and experienced all phases of the execution process, from carding, spinning to execution on the loom.<\/p>

For more information about M\u00f3nica Correia’s work, visit www.monicacorreia.com<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tTextile Design Residencies at the M\u00e9rtola Weaving Workshop<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
Within the scope of the partnership that M\u00e9rtola City Council maintains with the Association Passa Ao Futuro and Cooperativa Oficina de Tecelagem (Weaving Workshop Cooperative), the residency ALENTEJO HERITAGE TEXTILES took place during the months of March and April, connecting the weavers of the M\u00e9rtola Weaving Workshop with designers Emma Pucci and Valentina Pilia from Flores Textile Studio, as well as maker Daniel Heer and artist Cian McConn from the Machen Colletive.\n\nThese Residencies have the objective of connecting the mastery of our weavers to the innovative design of new creators, thus valuing the raw material (wool) and its artisanal processing, from the production of the thread to the weaving of the Mantas de M\u00e9rtola (M\u00e9rtola blankets).\n\nThis Residency is part of the Creative wear + Project, co-funded by the INTERREG MED programme, in partnership with the Arteria Lab of the University of \u00c9vora and the Museo del Tessuto di Prato in Italy. The results will be exhibited at the Museo del Tessuto, in Prato (Italy) in June of 2022.\n\nFollow the link below to find out more: https:\/\/www.passaaofuturo.com\/residncia-alentejo-heritage-textiles<\/a><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tThe traditional weaving of woollen blankets in M\u00e9rtola. How can we ensure the continuity of this know-how?<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The traditional weaving of the woollen blankets of M\u00e9rtola currently represents the survival of what was once a necessity, a way of earning a living and helping the family to survive. Some 50 years ago, the weaver’s activity was characterised by an accumulation of works to be sold in the fairs of the region and to meet the many orders. Today, production is mainly aimed at a public that wants to have a piece that represents the memory of this know-how in their homes.<\/p>

The complex work of preparing the wool, carried out in several stages, is essential to the quality of the fabric. In the past, this work was carried out or closely monitored by the weaver, who thus guaranteed the quality of her work and maintained her reputation in the community. The production of woollen fabric also depends on the loom, a complex mechanism regarding which it is essential to know and understand the functioning of all its components.

In the Weaving Workshop, visitors can learn about this work and understand the functionality of the objects on display and in use, representative of an ancient activity that has survived to the present day. However, the evolution of society, the difficulties inherent to maintaining traditional production methods and the problems of depopulation and desertification of the inland regions of Portugal, have led to a point where the continuity of this work is at stake.

This is the great challenge we are currently facing and which already existed 4 decades ago, when the first survey on weaving was carried out and a Cooperative was created with the main objective of providing training. After 40 years, the question of continuity becomes even more critical: the woollen blankets of M\u00e9rtola are manufactured by 2 weavers, both over 60 years old.

This situation led to a debate involving the community and local institutions, which, led by the City Council, have developed efforts to outline a common strategy that allows the preservation and continuity of this know-how. With the Museum Units of the Weaving Workshop as its central location, a training process has begun that aims to give continuity to the whole process of wool treatment, from shearing to execution on the loom.
Here we will show you the different stages of future weavers’ – Nazar\u00e9 Fabi\u00e3o and Rosa Ruivo – learning.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tThe Continuity of Know-How: Bruno Mareco<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
We often hear that young people aren’t interested in traditional activities or skills related to trades that are no longer used or that involve long learning, dedication, and commitment. Bruno Mareco completely contradicts this perception. He enjoys everything that represents the memory and knowledge of the past, tries to understand the processes until he can reproduce them, listens to and learns from the “masters,” respects and wants to continue. He collects, recovers, and preserves objects from the past, knows how to work the wool, has dedicated himself to learning carding and spinning, and is an enthusiast of Alentejo singing.\nBruno is part of the Museum team and is affiliated with the museum’s Weaving Workshop. This good-natured, active, and dynamic young man is an asset to the team and is enthusiastic and knowledgeable about carding and spinning wool. And yes, we believe in the future and in continuity!<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tMaria Lu\u00eds Palma's Volunteering at the Weaving Workshop<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t
Maria Lu\u00eds Palma showed up one day at the Weaving Workshop and said she wanted to volunteer. She’s retired and “wanted to occupy her time somehow.” Of course, we accepted! In recent months, her volunteering has translated into daily visits to the Workshop, a full integration into the team, and visible growth.\nVolunteering and the sharing of knowledge have always been part of the spirit of the Museum and its staff in a wide range of areas. This way of being and doing is also a teaching and a legacy of Dr. Cl\u00e1udio Torres, who always prioritized sharing and dissemination, in a variety of ways and for all audiences, as one of the most important aspects of this project.<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tArtistic Residency of Alexander Sebastianus Hartanto and Marina Manya \u2013 Project HYPERTEXTILE<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

The HYPERTEXTILE Project is a series of residencies for training, creation, and research in textile art for visual artists and designers. Developed by the Cortex Frontal Association, it is the natural evolution of the Wireless 1 project, carried out in 2022 and 2023, with the support of the General Directorate of Arts, the University of \u00c9vora, the Arraiolos City Council, and the Magdalena Abanakowich University of Poznan, Poland. It received support from the Portuguese Network
of Contemporary Art (RPAC) and aims to continue the work already underway and extend it to Portugal, currently in M\u00e9rtola and Guimar\u00e3es, creating strong
connections for a Contemporary Textile Art Network that promotes mobility, creation, and research. Forty artists and designers will participate in the project. During 2024 and 2025, they will undertake artistic residencies, and in 2026, the selected works will be exhibited in a traveling exhibition.
In this context, the M\u00e9rtola Weaving Workshop hosted designers Alexander Sebastianus Hartanto, from Indonesia, and Martina Manya, from Spain, from June 16th to 29th. Their work focuses on the relationship between traditional weaving and the contemporary language of textile use.
The artistic residency at the M\u00e9rtola Weaving Workshop allowed contact with the weavers and experimentation with traditional looms, using techniques, raw materials, and decorative patterns in a personal and creative approach.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tSee all<\/a>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\tArtistic Residences<\/a>\n\t\t\t\t\t\t\t\t\t\tPatterns<\/a>\n\t\t\t\t\t\t\t\t\t\tTextile Design Residence<\/a>\n\t\t\t\t\t\t\t\t\t\tTraining<\/a>\n\t\t\t\t\t\t\t\t\t\tBruno Mareco<\/a>\n\t\t\t\t\t\t\t\t\t\tMaria Lu\u00eds Palma<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t
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